- Extraordinary effects with #nofilter required
- Extended ISO 100–400 for extra experimentation
- An unmistakable aesthetic with fine grain
- Standard C-41 development process
- Depending on your scanning setup, you may see some tiny black dots appear in the lighter parts of your photo
Story
2021 LomoChrome Purple Pétillant
Straight from the Lomography vignobles, our LomoChrome films are lovingly handcrafted using traditional méthodes, plus a touch of savoir-faire, and consequently, each emulsion is a unique millésime with its own particular notes and équilibre. The LomoChrome Purple 2021 is no different and this Grand Cru is sure to delight the senses. With a reduced price, this particular blend is a little pétillant on the nose. You may see minuscule black dots on your frames, depending on your scanning setup, but these can be easily removed post dégustation. Nonetheless, the goût remains as (un)expected – blending exquisite earthy reds, crisp plums and velvety violet hues in a kaleidoscope of color to create a wonderland of unpredictable purple tones that are sure to leave you more than satisfied!
The LomoChrome Film Family
Lomography LomoChrome films are totally unique. With special chemical formulas and trippy emulsion concoctions, we have crafted some of the most experimental and extraordinary films on the market today. Forever committed to the continuation and advancement of analogue photography, we are proud to be one of the only companies still developing fresh, new films for contemporary photographers around the world.
Check out our Film Guide for more information.
Development
All Lomography Color Negative films require standard C-41 processing. Just nip to your local photo lab and they should be able to process your film no problem.
If you’re up for the challenge, why not try processing your color negatives at home? Sure, it’s a little trickier than processing black and white negatives but it’s also much cheaper and immensely rewarding.
Question & Answers
Do I have to ask the lab to take special precautions if I shoot this film with different ISO settings?
No, you can switch between different ISO settings on the same roll with no need to ask for pull/push processing at the lab. All the magic happens in-camera as you are effectively rating the film as more or less sensitive, affecting the resulting exposure times (and thus your images) as you take the shot.